Points of Light, Oceans of Darkness

For a long time now I’ve been interested in running an old-school points-of-light style fantasy game, for no particular reason. I’ve never played or run one, so it’s not for nostalgia’s sake; rather, it’s probably for the opposite reason—because I’ve never really experienced with that style of game.

“Points of Light” was the one thing I really liked about 4th Edition D&D, rolling things back to a more AD&D-style world setting where civilization existed in the form of small towns and isolated waystations, surrounded by oceans of dark forests filled with monsters and brigands and primal savagery. Heroes come from small-town beginnings, or from the few well-fortified city states; they venture forth into the unknown to beat back the darkness and plunder strange relics of lost civilizations—faded empires, shattered races. Help may be days or even weeks away, so life can be brutal and harsh, even for the prepared: it’s the rugged individualism of a new frontier.

In sum, the generic OSR setting without archaic OSR game mechanics. The Hyperborean Tales, Lankhmar, Averoigne; old Weird Tales pulp fantasy meets the Dark Ages.

You can see a lot of the original D&D game in it, too: when a half-dozen men-at-arms is a “sizable” patrol in an underpopulated world, compared to forty or more hobgoblins, it becomes a bit of small-unit skirmish. (As in, wargame.) Hex grid wilderlands notwithstanding. They had this gee-whiz sensawunda, too; stumble into this hex and you might find some dude’s magic arrows hidden in a hollow treestump, stumble into this one and you get attacked by the plesiousaur in the lake.

Actually, I can chart this interest back to when I first played Baldur’s Gate, because its setting fits my ideal bill pretty well. A lot of open wilderness filled with hostile creatures and the occasional dungeon (or humanoid stronghold), with a few scattered hamlets along the way. Candlekeep, seaside resort for rich nobles, old wizards, and dusty tomes; Nashkel, occupied by a neighboring city-state, its iron mines besieged; Beregost, sizable trade city, and Baldur’s Gate, sprawling metropolis of the region. The Friendly Arms Inn in particular jumps out at me; a badass adventurer couple overthrew an evil overlord and turned his fortress into a waystation. Baldur’s Gate is nasty and harsh, a tough slog filled with memorable locales and unique NPCs… it’s how I imagine a great AD&D game would be like. (Not having to calculate THAC0, weapon speeds, or Armor Class modifiers—yep, that would be a great AD&D game.)

I’ve always enjoyed playing the Icewind Dale games the most—they have a rich if subtle flavor (case in point, items) and they’re easiest to progress in—while Planescape: Torment had the best story, and Baldur’s Gate II was the most accessible (while retaining a similar top-notch story). I’ve never really given the original Baldur’s Gate that much interest, despite how much it’s influenced my gaming perspective. Maybe the Enhanced Edition will change that. Maybe if it had been developed enough to not give me fucking bluescreens.

Part of my problem is that I realize it’s not an ideal genre to play in, and besides, everyone else who may be interested in this probably played it thirty years ago—it’s still a major source of nostalgia, and I’d wager most gamers into more trad fantasy have already played this. Plus, OSR just doesn’t interest me—I’d rather run a stripped-down version of FATE, or perhaps (glorious day!) take The One Ring for a test drive, considering Mirkwood matches my ideal points-of-light setting pretty damn well. (Plus its rules are kinda hot.) For the most part it’ll remain on my back-burner until I find the time and interest for it.


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